Regenerative
Museums
Research Project
by Lucimara Letelier
Introducing the"Regenerative Museums" web series, featuring interviews that explore the concept of regenerative museums and how regenerative development principles and frameworks apply to the museum sector.
The series isis basedbased on the research "Regenerative Museums: Reshaping the Museums' Role in Addressing Social and Environmental Collapse" by Lucimara Letelier from the University of Leicester in the UK.
"RegenerativeMuseums" encourages museums to embrace regenerative principles to adapt, mitigate, and build resilience in the face of climate and social collapse. Each video features an interview with a museum professional or a regenerative thinker discussing the potential of applying regenerative design to museums.
Participants:
Bill Reed, Bridget Mckenzie, Daniel Wahl, Esme Ward, Evy Weezendonk, Felipe Tavares, Jenny Newell, Juliana Diniz, Marlucia Santos,
Nick Merriman, Robert Janes, Terezinha Martins, Hannah Hartley!
Daniel Wahl
Daniel Christian Wahl is one of the catalysts of the rising reGeneration and the author of Designing Regenerative Cultures - so far translated into seven languages. He works as a consultant, educator and activist with NGOs, businesses, governments and global change agents. With degrees in biology and holistic science, and a PhD in Design for Human and Planetary Health, his work has influenced the emerging fields of regenerative design and salutogenic design. Winner of the 2021 RSA Bicentenary Medal for applying design in service to society. Awarded a two year Volans-Fellowship in 2022.
Esme Ward
Esme Ward is Director of Manchester Museum, at The University of Manchester, with a commitment to lead the world's most inclusive, imaginative and caring museum. She is the first woman in Manchester Museum's 128-year history to hold the role of Museum Director. Esme has worked in museums and heritage as an educator and cultural leader for over 25 years, including at the V&A, National Trust
She led the £15 million major transformation of Manchester Museum, which reopened in February 2023. She aims to renew the creative and civic purpose of the university museum. She is currently leading work with others to develop practice and policy on repatriation, ecological stewardship and building an ethics of care in museums.
About the Researcher
Lucimara Letelier
Consultant, trainer, and researcher in sustainable development and regeneration in the cultural sector & museums. ICOM Sustain Vice-chair (ICOM Sustainable Development & Museums committee), Designer in Sustainable Development (Gaia Education/UNESCO partner), trained by Al Gore Foundation (Climate Leadership), Regenerative Economy, Regenerative Development Institute.
She is a Creative Green Researcher at Julie´s Bicycle, working with consultancy and training programs in climate leadership for the arts & culture sector and a Ki Culture Coach, a global organisation with capacity-building programs in sustainable practices (environmental, social, and economic) for the arts & Culture (Argentina, Africa, US and Canada).
25 years of experience in arts & culture organisations in Brazil, the US and the UK, including the Museum of Modern Art (Deputy Director), British Council (Deputy Director of Arts), ActionAid (Head of Fundraising), Arts Bienal, Boston Children's Museum and the Guggenheim Museum.
She holds a Master's in Museums Studies – Green Museum Specialism (University of Leicester, UK) and a Master's in Arts Administration (Boston University, US).
Lucimara is the founder and Director of RegeneraMuseu, an organisation committed to fostering sustainable practices within museums and the arts & Culture sector to champion climate adaptation, mitigation and resilience in Brazil and internationally.
The Research
Reshaping the museums´ role in addressing social and environmental collapse
Aims
This research project aims to unfold how museums can effectively apply the concept and practice of regeneration to address social and environmental challenges. It also seeks to identify the characteristics of regenerative leadership (Hutchins & Storm, 2019) to be developed among museum professionals and highlights the unique contributions
museums can make to broader regeneration efforts. Additionally, the research
aims to envision what a regenerative museum would look like and why this shift
is crucial for the future of museums and society.Evidence
Interviewees' evidence demonstrates that embracing regenerative practices provides museums with a positive framework to holistically address environmental and social
complexities. This involves recognizing the interconnectedness of social and
environmental issues (Janes, 2024), collaborating with communities to reverse
ecological damage, taking responsibility for the restoration of geographic and
symbolic territories and supporting their thriving.Methods
To uncover these findings, the project used a mixed methodology, including interviews with thinkers and practitioners inregenerative cultures and museum professionals. Additionally, the methodsinvolved desk-based research on regenerative thinking literature and examplesof regenerative practices in museums. The report provides key findings for integrating regenerative practices in museums. It highlights the positive impact of regenerative development, blending decarbonization and decolonization, examining how museums can play a distinct role in regenerating territories based on their history, collections' origins, and purpose. This approachprompts museums to address social-ecological crises systemically and serves asan instrument for museums to learn how to regenerate place by place and, ultimately, regenerate the planet (Bill Reed, 2010).
Aplication
The widespread adoption of regenerative culture in museums requires a broad
adaptation of frameworks, funding systems, and capacity building.A regenerative mindset can enhance museums’ responses to climate and social
issues through its unique qualities, fostering a culture of care and adaptive valuable
resilience (Wahl, 2016) for a genuine commitment to nature and humanity.This report aims to be a valuable source of information for the museum sector, shedding light on the application of regenerative cultures in museums, an area with limited literature available. It guides museum professionals to regeneration resources while also addressing the challenges and ways in which museum professionals can adopt a regenerative mindset. This research underpins imaginative ways in which museums could learn to prioritize the voice of nature (Sanford, 2020)
while designing projects in education, management, or exhibition curatorship.Updates
Articles, Conferences, videos related to the Research
How to make your museums alive: an interview about Regenerative Museums with Lucimara Letelier.
Interview in France
Is your museum alive? Do you feel alive as a museum professional? Lucimara Letelier tackled those two questions at MuseumNext London in 2018. She has been working since 2017 on projects integrating regenerative thinking and museums. Throughout this interview, she explains what the concept of regenerative museums means, its principles, and some examples of how to have ideas, take action, and commit to change.
Available in English, French and in Portuguese in the site Metis, written by Julie Besson.
“Regenerative Museums for Sustainable Futures”: ICOM UK 2025 Conference invited Lucimara Letelier to the Organizing Commitee.
Conference in the UK
The 2025 ICOM UK conference “Regenerative Museums for Sustainable Futures” will take place on 1 and 2 May 2025, in Liverpool, UK, and the core theme of the conference is inspired by the REgenerative Museums concept presented by Lucimara in Seoul, July 2024.
From Sustainability to Regeneration: challenges, opportunities and responsibilities for the future
Conference in South Korea
The ICOM International Museum Research and Exchange Centre (ICOM-IMREC) and ICOM Korea presented the “Museums and the Sustainable Development Goals – Towards 2023” Conference in Seoul, South Korea, in July 2024. Lucimara Letelier was invited as a Keynote Speaker, together with Robert Janes, presenting the findings from her research and reflections to the museums sector.
Regenerative Museums:
Natural Future History Museums sustaining life!
Lecture in Oxford (Oxford Natural History Museum)
This reflective lecture considers how Natural History Museums can shape the future narrative of nature, which we will pass on to future generations, and how we can work in the present to create a more positive natural future. How can we add a social-ecological lens that allows narratives to be shifted to expand audiences' abilities to become regenerators of their local contexts and committed to being active in building community resilience for uncertain futures?
Insights
“Regeneration is a continual process of awhole system rebirth.”
— Bill Reed
“Regenerative thinking is the guiding light, our last best hope. This notion of bridging sustainability with regenerative thinking is really the answer.”
—Robert Janes
“The paradigm of regenerative thinking provides a positive framework of action, not centred on growth,
and positively impacting museum governance structures in effecting change”.— Nick Merriman
Interviews
Research participants are from museums or Regenerative practices.
New interview videos will be released every week in the youtube playlist.
Background
The escalation of climate and social crises
The birth of modern industrial capitalism in the mid-18th century brought a new geological era known as the Anthropocene (Crutzen& Stoemer, 2000). This era has led to a separation between humans and nature (Loureau, 2023), reinforcing an extractive paradigm (Sanford, 2019), and is at the heart of the ongoing sixth mass extinction (Kolbert, 2014).
Global warming, biodiversity loss, desertification, climate injustice, refugee crises, deforestation, species extinction, and pollution (Merriman, 2024; BBC/NY Times, 2024 ) are major causes of social and environmental collapse (Janes, 2024), which has hugely impacted both human and non-human life (Janes, 2024).
Sustainability
Museums are under growing pressure to address this context, driven by demands from policymakers, activists, fellow professionals, and audiences seeking answers ina time of uncertainty (Museums Association, 2023). Also, internally, progressive museum professionals aim to transform museums into active change catalysts, reshaping their purpose in a world facing significant challenges.
Museums have embraced sustainability to reduce damage by decarbonising their operations (ICOM, 2019) and integrating their programs with the UN Sustainable Development 2030 Agenda to "do more good, and do less harm" (McGhie, 2019) through local and global solutions (Robertson, 1997). However, the acceleration of climate change and society's
demands for more efficient responses challenge this approach (NEMO, 2022).Regeneration
While the sustainability agenda has positive effects, some experts argue that the current level of exhaustion in the biosphere may make it difficult to sustain our
ecosystems (Bill Reed, 2010). They suggest that economic growth may not be compatible with the time and scale constraints to reverse the damage. Instead, they propose restoration, reconciliation, and reconstruction (Regenegis, 2016; Wahl, 2016; Sanford, 2020), emphasizing the need to regenerate.The adoption of regenerative practices in museums can be interpreted as a strategic embrace of a culture characterised by care, humanity, institutional and individual integrity, and 'radical' love (Kumar, Satish, 2024; Hooks, Bell, 2024; Maturana, Humberto, 2009), integrated to an ecological sense of the world. This strategic shift in decision-making aims to foster a more consistent and profound museum response to the intricate social and environmental challenges of our era.
Let´s Regenerate!
Adopting a regenerative culture on a large scale in the museum sector requires capacity building, funding, and adaptation of the frameworks. However, at their core, regenerative museums require people who are genuinely committed to nature and humanity. Museums’ leaders engaged in the best possible actions to reverse damage whenever possible and work to create a generation of regenerators within their museum's workforce and among their audience capable of acting regeneratively in the present to create sustainable societies for the future, collectively.
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